The film Punctuations & Perforations (2016) was shot on 16mm film, is a fictive-documentary film observing the process of slide duplication in a photo lab. The film paraphrases the necessary steps for duplication and processing of slides. The act of duplicating, emulating, replicating is a perquisite of the digital. Yet to do so analogically has now become not only a scarcity, but an anachronistic act. Punctuations & Perforations encapsulates the revolving processes and liminal labours and armatures of such an endeavour.

Punctuation (3:54) (2015-2018) is a photo-installation displaying a large montage image: a portrait of my studio with all the archiving apparatus and tools for measuring and constructing my works collated into a staged moment, a still life. The title refers to the clock, the ever-presence and urgency of time in my practice as well as the precise time depicted in the capturing of the image (3:54). But also punctuation, in terms of a moment of transition and pause in my process of production and archivisation.